Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

20110313

Music For Your mInD with No Ceiling!

There are plenty of places to get a musical fix and sometimes for keeps on the web. Music lovers, like to spread the joy and the word around, so here are a couple of links to sites where you can discover some seriously great tunes and whole albums, spanning different genres and time. We know the moral dilemna of 'sharing' all too well, but we Have given up food for funk, what we love we buy (although, as in Sky Saxons case, screwing the artist by doing so?). We have and do spread the word, as far as DIG can. But, like Gideons Bibles, file-sharing allows us to share and spread the good news, and that news is......that the music will never stop.

Oufar Khan
Blog presenting some fantastic and obscure albums, currently giving U Reverend's latin favourite - Pucho and the Latin Soul Brothers.
Funky16Corners
And here is one from my main man and music guru El P - Funkier than a Mosquito's Tweeter!


That should keep you diggers, diggin' for sometime yet!

20100602

House on Haunted Hill

Discovered initally in 2003 as a hybrid of a film-makers corpse and an obselete recording format. It devolved rapidly as it terrorized New Zealands' coastlines, Australia and several European countries. In 2007 it died again, multiplied itself 3 times and then transmorphinated in to a single ghost. This year, it was discovered to have grown in to a 5 piece esoteric surf trash ensemble.


The newest addition to the Stink Magnetic roster of performing artists is 'House on Haunted Hill'. These terrifying tape-zombies play esoteric surf-trash, all frantic rhythms, pounding bass, piercing organ and reverb soaked guitars dripping sweet like honey and spitting mad like fire. Their unique instrumental sound is honed to perfection and it needs to be, for these poor tragic monsters, cannot speak; only grunts and barely audible moans are discernible from beneath their hideous visages.
Here is a review from their first official outing, beyond the walls of their haunted mansion, high on the hill.
Also see Jo Russ succinct photo review.


It has even been rumoured that the tape-ghost known only as Reverend Tape Ghost, may have pre-ressurection ties to the shadowy organisation known only as DIG, though at this time these reports could neither be confirmed or denied?

One thing that is certain is that these mutants of menace are playing soon, for your pleasure at these dates in Whanganui - Take a long walk into the dark night and see the horror and the joy for yourself.............



June 4th – Stink Magnetic Record Co., Whanganui - w/ Golden Axe
June 18th – Stink Magnetic Record Co., Whanganui - w/ Boss Christ

"whooooooooooooo
ooooooooooooooooo
ooooooooooooooooo
oooooooaaaaaaahh"!


House on Haunted Hill

20100601

Whanganui Overground Underground Pt. 1 - The Stink Magnetic Story

The Stink Magnetic Record Co. Guide to Global Music Domination

For New Zealand Music Month, we tracked down, Dylan Herkes, musician, svengali and head-honcho of the multi-national, Stink Magnetic Record Co. Our mission to find out just how a normal human being, with no clue, little talent and plenty of energy can form a band, make a record and start a record label, from literally, nothing.


For Art and Design student Dylan, the path has been a long and determined one. With Stink Magnetic Recording Co. in its 12th year, countless gigs around the country and beyond, several of his own releases and a whole host of other heroic, unsung NZ bands released through his label. The Stink Magnetic Record Co. has proved that with grit, guts, spunk and style, even the un-dead can make sweet music and become primitive rock-stars.

Dylan and Stink (As it is known to aficionados) have a strong aesthetic style, formed, re-hashed and over-heated from the remnants of B-Movies, crude garage punk records and the sound of surf music crashing on NZ’s shore in 1965. Think of werewolves, ghosts, and zombies from outer-space, guzzling hard liquor for the first time, abusing vintage instruments and expressing their raw urges in public. It sounds scary and it is…why? ... Because it works!

Over the years Stink Magnetic Record Co. has not only released many records by NZ garage, surf, Hawaiian industrial, experimental country disco, Spaghetti Western, esoteric trash, rap and stone-age punk bands but promoted countless gigs and events, which have strengthened the local scene. By helping these peripheral, wild characters achieve their dream and perfect their art, the primitive rock underground of New Zealand has flourished, far away from the fickle frippery of the mainstream.

It is this D.I.Y attitude and the idea that, ‘You can do it, because you want to, not because you can’, that fuels this most kiwi approach to making music. We tracked down, Dylan at Stink Magnetic H.Q to ‘cut the tape’ and find out where he comes from, where he is going and how we too, can blaze like an Asteroid, through the musical heavens.


Interview with Dylan Herkes, CEO – Stink Magnetic Recording Co.:


Tell us why you got involved in music and what was it like for you when you first started?

I started playing guitar just for fun. I just got interested in the instrument when I was a kid and started mucking around without any idea of how to play it at all. Before that it was a tennis racket. After pissin' about for a while some family members showed me a few chords and a riff or two. When I eventually started playing with some friends who could hit a drum and pluck a bass it was too much fun and I got hooked.

When did you first realise that D.I.Y was going to be the way to go?

I don’t know. I just like doing stuff. I don’t really enjoy been told what to do. Who does? I also saw a lot of amazing ideas happening and then going away quickly so I wanted to document things that I thought may not have otherwise been documented. I did meet a friend when I was about 16 who was dubbing tapes out of his bedroom and he gave me an example to start a record label.

What was your first band / act?

My first band with a name was playing bass for a high school band called Vendetta. I must have been shit cos I was fired after the first jam.
What was it like playing your first gig or releasing your first record?
Playing live almost every time is nerve racking for me. But there’s a massive adrenaline rush during and after a performance that I still love. The best thing is seeing an idea come in to reality and hearing your ideas come to life. Every time it’s done it’s great.

What is the biggest difficulty faced by bands starting out, particularly in New Zealand?

The only difficulties are the ones that you make up in your head. I don’t think it matters if you’re from New Zealand or from anywhere in the world. Sure, it may be better for some places rather than others for this or that but you don’t need much to get going if you take the preconceptions about how to do things away. You don’t have to measure success in terms of popularity, record sales, competency or gear at all. I’ve seen some of the coolest things happen with no money, shitty gear and 3 people in the room. It’s just about having fun and the less pressure you put on yourself, like anxieties about all that crap the better. You’d be surprised by how much fun you can have and how far you can go without all those preconceived ideas about how things “should” be done.

How have you dealt with those challenges?

One way is by playing music with people that you know really well. Because it takes a bit of guts to get up in front of strangers it helps to have the support of your mates with you and also when it comes to advancing your playin' abilities, you tend to respect the opinions of your peers the most (and also they are likely to have similar taste in music to you so you know if they think it sounds like arse then it probably does!). It’s more fun with friends and you all pick up on things faster.

Making music is a lot of work, often for a brief reward, what do you enjoy most about it?

I enjoy bringing ideas to life. It defiantly is very hard work writing and practicing music but when you go to play it just once live, it can be magic. If you enjoy making music then you’re probably a music lover which means you’re focus will be on the content rather than all the peripheral stuff. Enjoying what you do shows.
What advice would you give someone starting out from the very bottom?
Don’t be too concerned about how it should be done, get together with mates who are keen as well and just start jamming. You’ll figure things out quicker than you think.

The Tape Man Illustrated Guide to Making Music (Available as a series of lectures on 8-Track Cartridge Cassette, from all good stores)


After a long and tiring search, from graveyards to forgotten repositories of obsolete adhesives, we tracked down, the legendary Tape Man, one of Stink Magnetic’s most enduring, and elusive and esoteric stars, to give us the Tape Man Guide to Making music. (Actual results may vary)

“Howdy folks, here’s a few tips to blow the roof off your world with the mystical powers of sound.”




Step 1 – Choose your weapon
“You’re instrument could be anything. Don’t worry if you can’t play it. It could be more fun and entertaining if you choose something that you have no idea how to play for instance this shitty keyboard sliding across this stolen guitar…… Then make up a few little ideas that you can call your own”





Step 2 – Tidy up
“Now you’ve gotta show someone else, so do what you gotta do like take a shower, brush your teeth and find some flash clothes or “something a little special” to really make an impression on your audience. What are you gonna call yourself?”







Step 3 – Do a show
“It don’t matter even if it’s just your little sister in the room just rock the hell out like there’ll be no tomorrow! Hell it’s more fun than being a boring hi-tech, know-it-all muso wanker like all those other sissies!”








Step 4 – Document your band
“Make sure you get a couple of cool photos to chuck on the net and get out whatever recording devices you can find lying around. Because it’s got sound involved you wanna get a recording of that so use a digital camera on movie function, Uncle Steve’s old tape deck, headphones plugged in to the microphone input on the computer or whatever! Think; The more creative - the more ORIGINAL.”





Step 5 – Make a record
“Now release your thing on any format you want to. Don’t care if it’s digital or analogue or any of that crap just OUT IT OUT THERE! You could make a cassette tape, a CD, a DVD, a book….ANYTHING. Now take it down to most appropriate outlet in town or put it up on the internet and see what happens! “



“Good luck and all the best”
Lust, Tape Jerk

Stink Magnetic Record Co.

The Studio is situated in the Old Chronicle Building, cnr. Rutland and Drews Ave. Whanganui.

The office is open to the public every Wednesday from 12-1pm, with an amazing clutch of original records, and CD’s of all of your favourite NZ garage, surf, Hawaiian industrial, experimental country disco, Spaghetti Western, esoteric trash, rap and stone-age punk music!

Stink Magnetic Record Co. Artistes.

Golden Axe, Space Dust, Boss Christ, Full F***ing Moon, Double YAD, Knifefight, Wrongdoings, Hi_tone Destroyers, Pro-Drag, Delaney Davidson, Voodoo Savage & His Savages, Mr. Slackjaw, Bad Evil, Sheville and Tapeman.
The Continuing Adventures of Tapeman

Due to be the feature of the next blog-post from the Whanganui Overground Underground, The Ghost of Tapeman can be seen playing with his freshly resurrected esoteric trash-surf combo, “House on Haunted Hill’ at the following hip locations:


June 4th – Stink Magnetic w/ Golden Axe
June 18th – Stink Magnetic w/ Boss Christ

Stink Magnetic Record Co. Contact:
Written for CREW magazine - N.Buddle 2010

20090628

Road Noise

A roadtrip is never complete without a soundtrack. With twelve hours of winter roads to drive alone -nary a hitchhiker in sight- before and after picking up the Reverend I decided to go heavy on the compilations and two relatively recent Aotearoan releases which served to provide the necessary reflective vibe for circumnavigating Te Kahui Tupu (the sacred peaks of the central plateau.

I'm not sure why but I almost always have an epiphany when listening to SJD albums. In this case two tunes from his rather excellent 2007, Songs from a dictaphone album: Black is a Beautiful Colour and Beautiful Haze sent me skyward, observing the mountains from above.
www.myspace.com/sjd
http://www.roundtripmars.com/

Back in the day, Auckland City seemed stacked with Victorian era pubs, with their glorious facades and grungy cigarette charred and spilled beer carpets, tiny stages and regular police busts emptying the places out as the main act stepped on. It was during those dirty early eighties that I remember the Clean's first Auckland gigs. The Velvets inspired Don't Point that Thing churning out from the Rhumba Bar above an empty Victoria Street (the streets were usually deserted by 10pm.) David Kilgour has come a long way since then and his choonage of Sam Hunts poetry collection Doubtless, retitled for record, "Falling Debris" is a perfect winter tonic. Especially "Everytime it rains like this," "Talking of the weather" and "They are clouds."
http://www.samhunt.com/
http://www.myspace.com/davidkilgour

Roundtripmars' head honcho and aural adventurer, music writer and voice over artist, Stinky Jim provided "Musky Moments" and "Stinkbombs" two downright exotically dirty compilations. These eclectic excursions diverge into dubbedupdownbeats, dancehall, and spacerocking fruitloops and are guaranteed to make any journey a trip. Jims compilations are like his BFM radio shows, at first challenging and then engaging, full of cut up voxpops and Stinky stings by some of the worlds biggest underground and overstanding musicians.
http://www.roundtripmars.com/
http://www.stinkinc.blogspot.com/

Norman Cook/Fatboy Slim's LateNightTales is 70 plus minutes of essential happy eclecticism from Mink De Ville's "Spanish Stroll," Hopetoun Lewis' version of "Express Yourself," "Trinity's Three Piece Suit" and Senor Soul's "Lay Your Funky Trip on Me." Makes the road between Te Kuiti and Tamauranui a much less lonely one to drive.
www.normancook.co.uk

"Lifestyle" by Ninja Tunes/Solid Steeler's, Coldcut, is another three score and ten minutes of the overlooked and underplayed. Check the Chosen Few doing Isaac Hayes' "Do your Thing," Esther Phillips 1974 conscious soul classic "Disposable Society" and Betty Harris'"There's a Break in The Road."
www.myspace.com/coldcut

Keeping it unreal is another Ninja, Mr Scruff whose Big Chill Classics comp provides the kind of soundscape that allows the mind freetime to wander both sides of the road. The ideal accompaniment to a hot bath at the Tokaanu thermal pools. It's a double album with too many quality dishes to serve on this post.
www.myspace.com/mrscruffofficial

Hiphop collective NASA's "The Spirit of Apollo" kept the van on the bitumen and the party going when the eyes were getting weary especially over the Parapara ranges. Featuring a potpourri of musical magic including the likes of David Byrne, Tom Waits, KRS One, Sizzla, Spank Rock, MIA, Chuck D and George Clinton to speak of only a smidgeon of the coterie of onboard quality.
www.myspace.com/nasa

Guerolito is the remix album of Becks' Guero and it picks up nicely where SJD leaves off, somewhere near Tangiwai, providing more twists and turns than the gravel road over Burma Hill.
www.beck.com/

As far as singalongs go it was two Ska comp albums sourced from the cheapie bins at the big red whare that stole the show and blocked out the bumps and thumps on the dirt track ascending the remote Turakina Skifield and had us skidding safely across the ice on the road up to Turoa, despite the boy racers. In fact Dandy Livingstone's "A Message to you Rudy" was playing so loud as we made incursions into Defence Dept land on the Desert Road, that it alerted a patrol to our presence and two Bro's in an enormous cammo' truck came to give us a soft hard word "You fallahs are not supposed to be here,eh!" Chur chur. The Specials though stole the show and we digressed down memory lane as progressed along the rail lines skirting Rangataua with "You're Wondering Now" and "Ghost Town."
www.2-tone.info/

The two track river road to Whangaehu Beach was swamped with primal New Orleans funk courtesy of a Soul Jazz comp. Doctor John is guaranteed to drive the Reverend to all sorts of extreme behavior and it was along this stretch of farm track that he decided to start making stills photos from the roof of the moving Base Jumper Van (courtesy of Roadcraft. Chur chur!)
www.souljazzrecords.co.uk

Sweet.

Awesome post from El Presidente who as always is a hard act to follow so from The Reverend on the decks (how does he remember where we played these???)......................

Unknown Mali music CD:
This CD was found abandoned and I can only presume it is a Mojo or somesuch giveaway. however the mellow tones and haunting melodies of the Mali blues musicians, provided a fantastic backdrop for the unfolding bush scenery and a fascinating counterpoint to the american blues tradition and the ethnographic migration of musical styles from one place to another and then back to the source to be re-interpreted again, much like our journey.

Combat Rock - The Clash:
I am a new Clash fan and the Pres is an old Clash fan. I can still detect a slight bemusement at my recent appreciation of the British behemoth of the punk years. Perhaps it is my age or perhaps my long-held dislike for English yob-punk, but my favourite Clash albums are everyones least favourite, Combat Rock and Sandanista.
Combat Rock being to me at least, perfection. An eclectic selection of timeless tunes that takes you around the world, from rock'n'roll to reggae, to funk, to the casbah and back home to blighty. The standout tune is of course 'Straight to Hell', as transcendant a piece of music as you could hear, full of obscure but evocative lyrics and the fantastic break, that recently made M.I.A's Paper Planes the killer tune it is. This album sounds as fresher and more relevant now than I think it would have on release. Know Your Rights!

Original Hip-Hop Greats:
On this trip the party never stopped and I used the evening to attempt to convert El Pres to old school hip-hop - not his favourite brew at all. Still after classics from Sugarhill Gang, Eric B and Rakim, BDP, Public Enemy, Whodini and a whole crew of cats, I could tell he was defrosting like roadkill possum on a mountain road. "Electro is your Dancehall' he said referring to his love of dancehall and my slow presidential brainwashing that has resulted in me liking it 'dutty' myself from time to time! "Word!"

DVD - MC5 -Kick Out the Jams:
Having a van with a DVD player in it was too good an opportunity to miss so on our last night we had a music viddy night. Beginning with this Sinclair produced montage of MC5 performances, home movies and trippy light show. The highlight of this being a lot of the live footage (although synced to other performances) showing the fives ballistic live performances including a free concert in an Ann Arbor park. Th energy is palpable as the five blast through their repertoire, with enough energy to power their very own 'Starship'.

The Doors - Collection:
The best thing abou this DVD is actually a previously unreleased and possibly last TV appearance from 1969, entitled 'Soft Parade'. A bearded and bleary Morrison, post Miami, almost phones in a few performances from the Soft Parade, only letting rip on the title track (The best cut on the LP anyway). This is intercut with some great footage of them recording 'Wild Child' in the studio and an interview section from the TV show in which one particularly memorable moment occurrs. Whilst being asked about the future of music, Morrison shows his innate insight and vision. To paraphrase, 'I can see in the future, all the music being made electronically by machines and tapes, with just one musician operating them and making music by himself'.

Death Disco - Post Punk Compilation
Somehow I kept forgetting this compilation, when atttempting to write up this post. however this was one of those fantastic comps that opens up a chink in music history, through which undiscovered lands can be found. This particular land is post-punk land, that fertile breeding ground after the punk years, when artists struggled to reconcile the punk ethos and approach with the changes in music such as electronic instruments, the birth of hip-hop and the last vestiges of the disco boom.
Beginning righteously with Death Disco by P.I.L and the resurrected Johnny Lydon, the doom laden 'white-boy groove' snakes on courtesy of Jah Wobble while Lydon deadpans the vocals. The next track is a real oddity with some real pedigree. Featuring Jah Wobble, Keith Levene and Don Letts (Clash DJ and Film-maker) toasting over a lazy dub, Steel Leg vs. the Electric Dread's tune 'Haile Unlikely', has Don professing...'Me don Wanna go to a Kingston, me don wanna inna Africa, I live inna Brixton" , a highly ironic confession for a British rasta.
Elsewhere on this compilation is the minimal electronic punk of the Normal and 'Warm Leatherette' (Covered by Grace Jones) alongside the electro-pop of Human League and 'Hard Times' and the alt-disco of the Buzzcocks 'I dont want to touch it'.
One of the standout tracks is 'Jezebel Spirit' by Byrne and Eno, a timely reminder of how ahead of its time the 'My Life in the Bush of Ghosts' actually is, with its samples, allusions to world music and electronic treatments.
Although some of the tracks here are slightly dubious, hearing Throbbing Gristles, United and the Higsons ("You ain't seen me alright!"), 'Put the Punk back in the Funk, reminds me what an unusual time it was as electronica, punk, disco, dub and funk, clashed together in the fertile musical grounds of New York and London to create a new sound, which would influence much of the following 2 decades more than punk ever did. (Death Disco at Allmusic.com)

A great trip with the Presidente and as always with our joint adventures, an amazing soundtrack!

20090604

Reactive Agent Reports Activity

On the western front of music, the Reverend will be active this Friday in the lower reaches of the southern hemisphere.

The second N**i Disco gig will be held at the Mutton Club, Whanganui on Friday 5th June 2009.

The 2 sonic pranksters will be 'blitzing' the audience with their unique aural assault of Tribalspacefunknoisegrimepop. The other bands are supposed to be really good too!


The group show 'Ivan Rebroff is my Security Blanket' featuring the 'Techniques for Self Sabotage' series by Neil Buddle, is on until Wed 10th june at the Federal Gallery, Whanganui, New Zealand.
this funky and ecelectic group show, features a cast of creative suspects, inhabiting the fringe of Whanganui. These include Erica Sklenars, Dylan Herkes, Bridget Tyson, Brandon Sayring, Mike Marsh, Deborah Halliday and more.